23 January, 2018 08:24

4574-239-6795.png

sky, Renaissance, spontaneity.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5493

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21 January, 2018 16:53

4574-239-6795.png

sky, Renaissance, spontaneity.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5492

18 January, 2018 18:29

1792-135.png

smoke, Bible: Old Testament.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5491

mechanical distance of dreams 15161035769

mechanical_distance_of_dreams_15161035769.png

http://noemata.net/5489

14 January, 2018 12:35

2111-224-70.png

medieval, organic, natural phenomena.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5488

14 January, 2018 11:07

2111-224-70.png

medieval, organic, natural phenomena.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5487

14 January, 2018 11:07

71-2545.png

landscape, beauty.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5486

27 December, 2017 19:27

71-2545.png

landscape, beauty.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5485

27 December, 2017 19:27

1521-999-35-1196.png

boat, fishing, church, military, author.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5484

22 December, 2017 13:20

16120-3053.png

swastika, light, electric.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5483

20 December, 2017 21:50

1521-999-35-1196.png

boat, fishing, church, military, author.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5482

20 December, 2017 21:50

1521-999-35-1196.png

boat, fishing, church, military, author.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5481

20 December, 2017 12:42

17542-495-18635.png

Bellmer, Hans, sculpture, ‘The Doll’, river, Long, Richard, ‘A Line in
Ireland’.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5481

20 December, 2017 12:41

66-558-1708.png

animals: insects & lower animals, coast, monster.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5480

11 December, 2017 11:28

1865-2974-11829.png

boat, sailing, ambiguity, place of entertainment.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5479

11 December, 2017 11:28

1865-2974-11829.png

boat, sailing, ambiguity, place of entertainment.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5478

11 December, 2017 11:28

1865-2974-11829.png

boat, sailing, ambiguity, place of entertainment.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5477

5 December, 2017 05:15

9016-6070-3981.png

turret, laundering, menace.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5476

5 December, 2017 03:22

2415-1960.png

swan, date.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5475

5 December, 2017 03:22

9016-6070-3981.png

turret, laundering, menace.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5474

4 December, 2017 22:41

1960-1963-7556.png

date, shawl, colonnade.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5473

3 December, 2017 18:55

1865-2974-11829.png

boat, sailing, ambiguity, place of entertainment.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5472

30 November, 2017 09:24

66-558-1708.png

animals: insects & lower animals, coast, monster.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5470

16 November, 2017 08:42

1707-45.png

star, religious.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5468

16 November, 2017 07:03

757-5040-1357-1181-2472.png

mouth, wig, Virgil, poet, number.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5467

60+LEAP SECOND SCREENING @ Piksel 2017

Happy to announce our participation at Piksel17 We Take EmoCoin!
Festival for electronic art and free technology presenting a selection of 60+leap sec shorts

60-60.network is a collaboration between Leap Second Festival and 60Seconds Short Film Festival.
10 1-minute films and 75 1-second ultra-shorts in a loop.

In this virtual public screening we use piratebox routers the public can connect to and view the films.

November 16-18, 2017
SKUR 14 – Øvingslokaler, Holbergskaien 1
Bergen, Hordaland
and S12 Galleri & Verksted

60-60.router.sticker.jpg

60-60.flyer.frontside.jpg

60-60.flyer.backside.a.jpeg

DSCF1886_s.jpg

DSCF1883_s.jpg

DSCF1875m_s.jpg

DSCF1874m_s.jpg

60-60.network.piksel-package.jpg

Film artists:

60Seconds Short Film Festival: Jens Axel Beck, Rasmus Riemann, Evalajka Pervin, Maria Gondek, Oana Constantineanu, María José Alós, Roland Wegerer, Alexandra Mocan & Nicolae Romanitan, Verika Kovacevska, Fernando Baena.

Leap Second Festival: Agam Andreas, Alan Sondheim, Alexandra Andries, Amelia Johannes, Ana Buigues, Anne Niemetz, Ayshe Kizilcay, Bence Rohanszky, Bjorn Magnhildoen, Bruno Melo, Chris Funkhouser, Christian Boen, Cleber Gazana, David Whitcraft, Dennis De Bel, Dom Barra, Domenico Barra, Dominik Podsiadly, Edoardo Gaudieri (det0une), Eleonora Roaro, Esther Polak and Ivar van Bekkum, Frere Reinert, Hande Zerkin, Heidi Horsturz, INTERLICHTSPIELHAUS, Igor and Ivan Buharov, Irena Kalodera, Jules Varnedoe, Jurgen Trautwein, Justyna Kabala, Karina Mitchell, Kyriaki Goni, Lau Ching Wa Jess, Leap Second Festival, Lorna Mills, Martin Howse, Matt Vogel, Matthias Hauan Arbo, Mauricio Sanhueza, Miriam Poletti, Nenad Nedeljkov, Nick Mattan, Nico Vassilakis, Nigel Roberts, Pasha Radetzki, Patrick Lichty, Paul Wiegerinck, Pawel Wocial and Kamila Tuszynska, Ria Puskas, Sarawut Chutiwongpeti, Sherwin Altarez Mapanoo, Simon Coates, Simon Perathoner, Sissel Berntsen, Theodora Prassa, William Wolfg ang Wund erbar with Sacha Toncovich.

Produced by 60Seconds Short Film Festival and Leap Second Festival (Bjørn Magnhildøen, Radovan Misovic, Zsolt Mesterhazy, Ada Ortega Camara, Ana Buigues).

Supported by Norwegian Film Institute (NO) and Mondriaan Fund (NL).

nfi.jpgmondriaan.jpg

http://noemata.net/5466

15103190444

15103190444.png

http://noemata.net/5465

15103189014

15103189014.png

http://noemata.net/5464

15103187288

15103187288.png

http://noemata.net/5463

underwear,_country_house,_car–14209-38882-11538

underwear,_country_house,_car--14209-38882-11538.jpg

http://noemata.net/5452

food_and_drink,_monster,_monuments–1548-12821-19749

food_and_drink,_monster,_monuments--1548-12821-19749.jpg

http://noemata.net/5451

colonnade,_fence,_bridges_and_viaducts,_townscape,_distant–10441-27588-34231-58333

colonnade,_fence,_bridges_and_viaducts,_townscape,_distant--10441-27588-34231-58333.jpg

http://noemata.net/5450

arrow,_sun,_Bible_Old_Testament,_sex_and_relationships–15346-19095-19277-2799

arrow,_sun,_Bible_Old_Testament,_sex_and_relationships--15346-19095-19277-2799.jpg

http://noemata.net/5449

seafront,_torso–45699-21258

seafront,_torso--45699-21258.jpg

http://noemata.net/5448

4 October, 2017 19:03

708-7104-1861-201.png

shepherd / shepherdess, Homer, ‘Odyssey’, instrument, piano, hat, cap.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5448

18 September, 2017 08:09

6217-15993-11685-17543-3050.png

water-lily, Judges, chapter 14, 1 Kings, chapter 17, Martin, John,
painting, ‘The Great Day of His Wrath’, sex.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5448

Scripting the Other

20799462_306414893160537_6258894407025432839_n.jpg?oh=2e7d7b57fd387317bb917346e594e007&oe=5A1D54CB

Open call for wrong works: Scripting the Other

SCRIPTING THE OTHER is a pavilion (online exhibition) in the third
edition of The Wrong – New Digital Art Biennale (Nov 1, 2017 – Jan 31,
2018).

We’re calling for works that explores the notions of the Other and
Otherness in online, performative scripting and writing. The work should
preferably have some live, dynamic function – e.g. through (ambivalent)
interaction with user/audience, communicating, streaming, mashing
textual-visual sources and feeds, live coding,
stream-of-consciousness-or-data writing or scripting.

The idea is to use internet as an instrument of the Other, and
antitheses to the echochamber of the self, and set up an interface
towards it, as if communicating with or observing an undefined, unknown
or uknowable entity, operating system, or AI. The exhibition examines
text and text-visuals in meeting with an inordinant ‘Here Comes
Everything’, the role and protocol of author, reader – entangled and
undermined.

If possible, the exhibition will take form as an embodiment of the Other
with the works selected being incorporated within it.

Works for the exhibition should be made for web browsers.

Deadline: 15. September 2017
Contact: mail@noemata.net

Scripting the Other is part of the project Other Writing initiated by
Noemata and funded by Arts Council Norway. Noemata is a production site
for digital and netbased art affiliated with PNEK (production network
for electronic art Norway).

Notes

‘Live coding’ meaning programmable live and that the writing process is
made visible and part of the execution, or put in another way, that it
includes a visible operational meta-level where the text is
coded/generated.

‘Ambivalent interaction’: To challenge and undermine ideas about
communication, meaningfulness, identity, noise/signal, writer, reader,
and the like, in relation to text. For example, the audience/browser
should ask questions about what this text _is_ – is it communication? do
I write? who’s writing? do I read? both? – and at least to conclude that
the text has its proper life and symbolically approaches the Other (the
opposite to self and identity). Ambivalent interaction is a metaphor for
the way we operate on the internet – how internet opens up for a game of
identity, partly necessitated in the face of an overwhelming and
frenzied ‘other’, something which in turn has created a feverish market
for simulacra, representation and imitation – think of social media
acting as a ‘big data’ simulacrum, and ‘selfies’ acting as a kind of
mockery mirror. In reality, this kind of identity has an equivalent
vast, dark side, ‘other’, as a reaction, since our default state on the
internet is both anonymous and transparent (two antitheses of identity).

‘The Other’ as a writing process, and the category ‘Scripting the Other’
as an aggregate term for text or text-visuals not immediately
categorizable: “The concept that the Self requires the existence of the
Other … Lacan associated the Other with the symbolic order and
language. Levinas connected it with the scriptural and traditional God,
in The Infinite Other. … Ethically, for Levinas, the “Other” is
superior or prior to the self; the mere presence of the Other makes
demands before one can respond … Levinas talks of the Other in terms
of ‘insomnia’ and ‘wakefulness’. It is an ecstasy, or exteriority toward
the Other that forever remains beyond any attempt at full capture, this
otherness is interminable (or infinite)… it has not been negated or
controlled. … The “Other”, as a general term in philosophy, can also
be used to mean the unconscious, silence, insanity, the other of
language (i.e., what it refers to and what is unsaid), etc.” —
https://en.wikipedia.org/wiki/Other

SCRIPTING THE OTHER will explore through such a hybrid reading-writing
process an integration to a wider operational identity, perhaps with a
reference to analytical psychology and its individuation process if we
look at the unconscious as ‘the Other’ and internet again as the
unconscious through big data which we are interacting ambivalently with.
If we associate ‘the Other’ with the symbolic order and language, and
assume that the unconscious has a language, we can treat the internet
with its endless stream of data as a stream-of-(un)consciousness and
‘Other’ in the meeting with the browser, identity and traditional reader
and writer.

A “nihilogue” (e-lit term introduced by Espen Aarseth, 1997) – a text
which has neither origin or impact (author or audience), for everyone
and for no one, in the sense that it is automatic or unconscious, and
corresponds approaching the ‘the Other’, an existence evading control,
and in a stream which is continuously and increasingly diverging; can be
compared with a ‘default state network’ in the brain, whirring
constantly, a dream without a dreamer.

The reader/audience might interact with the script, either in plain text
or commands, and the script will process the input and respond in
different manner similar to the role as ‘other’/unknown/internet; that
the input for instance can be filtered through social networking,
search, databases, algorithms, providing ‘resonant’ answers, i.e. the
answer is a kind of reverberation of the situation where the context
plays part and changes (as is often the case on the internet –
everything is context, everything is protocol).

The scripting might serve as communication between transmitter and
receiver, where the aspect of ‘Other’ is put in the background and
intervens more sporadically. These modes can be compared with the Other
as ‘insomnia’, ‘wakefulness’, ‘ecstasy’, ‘presence’.

The scripting might have a relatively pure and transparent interface, a
writing surface, in the meeting between the transmitter and
computer/internet/recipient, where these different roles avoid defining.
As mentioned the writing surface can provide a sort of resonance space
between identity and ‘other’, as the scripting uses the input to process
textual mass from the net, and thereby intervening in the writing
process which might reveal an associative-resonant meaning. The
scripting can itself start this process and the user act as a resonant
search machine for it.

Links

https://www.facebook.com/groups/thewrong3/
https://www.facebook.com/thewrongbiennale/
http://noemata.net/
https://www.facebook.com/noemata.net/

http://noemata.net/5446

i i

i can has everything else
balls have zero to me to balls to me to balls to balls to me to zero to balls
you i anything
balls have a ball
i can i can i i i balls everything else balls
eyeballs have balls everything egg bacon
i i can i i can spam bacon eggs eggs everything else
eyeballs have 0 to me to me to not me to me to not me to me to not me
i can i i sockets bacon eggs sockets
balls have sockets to me to me to not me to not me
i can i has everything else
sockets have 0 eyeball to me to me to not me to me to not me to me

http://noemata.net/5445

Drawing machine

A device driven by the wind, scratching ephemeral drawings and signs onto the concrete canvas.
An ant strides by; meanwhile, the cat is sleeping.

Shown at the exhibition Dufus Tideous, 15. july 2017, at Paleis van Mieris, Amsterdam.

Participants in the planters section were dominik podsiadly, guido segni, florian kuhlman, karina palosi, tibor horvath, rad0van misovic, zsolt mesterhazy, and bjørn magnhildøen.

fb event
https://www.facebook.com/events/180051942530908/

More info and photos
http://noemata.net/dufus_tidious/

Thanks to Zsolt Mesterhazy (Browserbased) for putting it up at the exhibition.

http://noemata.net/5444

Drawing machine

A device driven by the wind, scratching ephemeral drawings and signs onto the concrete canvas.
An ant strides by; meanwhile, the cat is sleeping.

Shown at the exhibition Dufus Tideous, 15. july 2017, at Paleis van Mieris, Amsterdam.

fb event
https://www.facebook.com/events/180051942530908/

More info and photos
http://noemata.net/dufus_tidious/

Thanks to Zsolt Mesterhazy (Browserbased) for putting it up at the exhibition.

http://noemata.net/5443

Saints,_Gothic–9523-50771

Saints,_Gothic--9523-50771.jpg

http://noemata.net/5441

number (but not completely lame) alias #noemata

exploration of expression and form, considered cross-disciplinary/intermediary, between literature, art, theory and philosophy, and entertainment… and based in a notion of the phenomenological ‘noema’ as an ‘object of thought’ as its fundamental unit… the numbering of the noemata (#noemata) is partly absurd ontologically (consider the paradoxes of Zeno of Elea about particle/continuum)… still, as the object’s immateriality, formlessness, ephemerality, abjectness… the non-entity or status of objecthood in the different contexts… countered by the tactile sense of the number… as if it were an imaginary catalogue of even more imaginary objects or acts, intrinsically problematic, but with the comic relief of the natural numbers… the project started, by coincidence, at the end and new beginning, of the maya long count calendar (a 5125 year-long-cycle)… for more backgroud see the about page…

http://noemata.net/number/

http://noemata.net/

25 May, 2017 22:00

777-2942.png

cliff, gorge.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5440

25 May, 2017 22:00

839-602-45-1731-6795.png

couch, horse, religious, reflection, spontaneity.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5439

suffering,_kneeling–93791-82956

suffering,_kneeling--93791-82956.jpg

http://noemata.net/5438

18 April, 2017 13:04

75-18774-799.png

times of the day, Beuys, Joseph, drawing, group.

[As Stated – descriptive artworks] #tatedata

http://noemata.net/5437

E5X56U3I1PAQMUG4YLK7T8YWHA18Q5PF – collab w Moan Lisa (Mark Rossmiller)

1 noemata

E5X56U3I1PAQMUG4YLK7T8YWHA18Q5PF.jpg

2 moan lisa

E5X56U3I1PAQMUG4YLK7T8YWHA18Q5PF-altered-1024x546.jpg

3 noemata

E5X56U3I1PAQMUG4YLK7T8YWHA18Q5PF-altered2-1024x546.jpg

Moan Lisa (Mark Rossmiller)
http://moanlisa.com/

reciprocal ref. http://moanlisa.com/2017/03/26/collaboration-with-bjorn-magnhildoen/

http://noemata.net/5436

public_service,_objects,_jacket,_cloth–105296-52139-108901-14772

public_service,_objects,_jacket,_cloth--105296-52139-108901-14772.jpg

http://noemata.net/5435

public_service,_objects,_jacket,_cloth–105296-52139-108901-14772

public_service,_objects,_jacket,_cloth--105296-52139-108901-14772.jpg

http://noemata.net/5434

number (but not completely lame) alias #noemata

exploration of expression and form, considered cross-disciplinary/intermediary, between literature, art, theory and philosophy, and entertainment… and based in a notion of the phenomenological ‘noema’ as an ‘object of thought’ as its fundamental unit… the numbering of the noemata (#noemata) is partly absurd ontologically (consider the paradoxes of Zeno of Elea about particle/continuum)… still, as the object’s immateriality, formlessness, ephemerality, abjectness… the non-entity or status of objecthood in the different contexts… countered by the tactile sense of the number… as if it were an imaginary catalogue of even more imaginary objects or acts, intrinsically problematic, but with the comic relief of the natural numbers… the project started, by coincidence, at the end and new beginning, of the maya long count calendar (a 5125 year-long-cycle)… for more backgroud see the about page…

http://noemata.net/number/

http://noemata.net/